Friday, October 21, 2005

 

... killed the cat, I know. BUT ...



This is not very politic ("cautious and meticulous", nor "full of high sentence", mayhap "a bit obtuse"). But I am very curious.


WHO in Brazil reads my blog? iBest service provider. If you drop by again, please be kind enough to illuminate.
Also, Belgian Catholic University? (Do I have the translation correct?)
Malaysia? Friend of Jay's?
And Nigeria ... Nigeria? S* won't even move there till November, I would have understood if it were he.

The key-word search is even more disorienting. For a while, the leader was pantua. Which was OK (though I prefer malpoa), until a really raw phrase displaced it.
Right now, 'Giuditta Scorcelletti' is up there. Nice to know she has some following, I really liked her voice.
The Ponytail is high on every search list, so I can understand that one.
But 'boudi stories'? Ye Gods and little fishes.

The really wacky ones are:
- 'khus sharbat'. Eh?
- 'Insead PhD' - leads to some exasperated browsers, I daresay.
- 'S.P. Zariwala' - Who?

And of course - 'dodges chicken'. Mental picture of large enraged fowl striding towards a portly figure that jinks at high speed. Heh.

(Yes, I'm ill, bored AND sick of 'comparative investment figures' and 'core competence'. Or as my blasted colleagues would insist, 'core competencIES'. Morons.)

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Wednesday, October 19, 2005

 

Quite Sethled

Two consecutive evenings of stimulation.

Intellectual stimulation, of course. What other kind do we Bongs know? (As I’ve mentioned earlier, we define a loser as ‘one who copulates with a moron’.)

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Went to a book launch Monday evening. Awfully thick book, but a diminutive man. Turned out, however, that both were not only immensely likable but also rather impressive. Self-deprecating humour, yet firm and assertive when required.

The man knows at least four languages (Hindi, English, Chinese, German). Speaks German with that accent. Cleared his A levels in German with just six months of preparation. Mentioned translating something from Hebrew.

Read pure math before he went up to Oxford. Because he ‘enjoyed it more than applied math’. Quite.

Two degrees in Economics ("both from good universities", as he mentioned in a recent interview. Didn't know he went to school with Amitav G)

Bisexual, which seems pragmatic. As Woody Allen pointed out, it doubles the chances of getting some on a Friday night.

Speaks fluently, lucidly, articulating clearly. In complete, grammatically impeccable sentences. A rare quality even among writers and politicians, who live off their words. (In my experience, lawyers don’t even come within hailing distance)

Very evidently at ease in his own skin. Another rare quality. (I wondered how he could be at ease in that Nehru veskit; he took it off after the photo-shoot.)

I had assumed that he had formal training in Western classical music; I asked him about it and it turned out he learnt khayal in his school-days. Later started singing Schubert lieder as a means to relieve stress. The apparent insider angle in An Equal Music was just research. Academic rigour makes me despair.

I give up. I shan't ever bother to write anything, I can never be a hundredth as good.



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Sunday had brought its own dose of despair. I’d been telling myself I’m not quite middle-aged yet. Yeah right. The next-oldest blogger present was ten years younger than me. I was nearly thrice as old as the youngest in evidence. The matter was gracefully settled when I was dubbed ‘Kaku’ (Uncle). Hmmm.


All very intellectually stimulating, however. Food for thought and all that.




Inspiring variety of interests (also mentioned here, here and here). Like RSS. The feed, not the (a)political organisation. (I don’t think I could have survived khaki shorts in Flury’s.)

A surprisingly mature level of intellectual give-and-take.

Eclectic topics. Like fish in chocolate sauce.

Meditative moments. .(I suspect he practises that look. Only he did it better in his profile pic.) The presence of a literate (and literary, though not famous for it yet) celebrity. Some, of course, beg the question. Some seek to be self-effacing.

And some succeed only too well.





We even had a suitably admiring audience. Or perhaps ‘bemused’ would be more accurate. Note the expression.


A very productive meeting. We drafted a document to address what we considered the most important concerns of the blogosphere. (For serious researchers, a right-click should provide magnification ...)


Like all good things ...
but this almost came to an end under the wheels of a Calcutta yellow cab.

Until we conceded that this, too, must pass. The cab. Not blogging.


Last word - a venerable colleague started to tell me about the new phenomenon of 'blogging'. I nodded and mentioned weblogs; he contradicted me and went on to a detailed exposition. I realised, to my horror, that he had confused blogging with 'dogging'. Then I pondered on which of the two seems more exciting.

I feel yet more inadequate

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Thursday, October 13, 2005

 

Kobe je ele Maa, kobe Maa gele...


Oshtomi'r shokaal, Mashi'r bari'r Pujo

The second day of Pujo; in an aunt's house. I hadn't been there in 20 years. The experience was faintly Proustian. Old polished floors, dark looming rooms, louvred windows. A paved yard outside, with a patch of earth where old trees hunkered over flower bushes. The coolness under a fan that ticked and groaned. The smell of old thick faintly damp walls, ghee (clarified butter) burning in the lamps, chopped fruits and khichuri in the proshad (votive offering).

And the subdued hubbub of a hundred people or more, wandering round the old house,
sitting in the yard ( ...playing games with the faces).
Occasional shouts to "bring the fritters, what ARE you doing!" or "Rice, more rice here!"
as the family served lunch to the visitors on long trestle tables under a cotton awning.









This is one Pujo we have visited every year for more than 20 years. The old red house has given way to two blocks of flats in pristine white, but the Shib mondir in the corner and the thakur dalan (the verandah where the image is installed) remain unchanged. The Pujo evenings still pass in adda and tea from little earthen cups. I can now, however, light my pipe in the presence of the elders; another generation now slips away to the corner behind the Shiva temple to light up.
Shondhi Pujo'r por, thakur dalan-e adda.

I'll miss Kali Pujo there this year. Midnight pujo and a feast afterwards. That strange Bangali phenomenon - non-vegetarian food, goat mutton in fact, but cooked 'the vegetarian way' without onions or garlic.








Just up the road from my friend's place, Ekdalia Evergreen, one of the largest 'community' Pujos. A fairground atmosphere rather than a religious occasion. I'm always awed by the crowds. Not just from Calcutta, but from Noihati, Bongaon, Diamond Harbour, even from as far away as Purulia.
Keeping their annual promise to themselves.






Oshtomi'r bhog.
As a friend put it, 'I meet you twice a year - once here and again in January at our cricket match"








Park Circus. Nice details. Reproductions of old pot paintings high up on the walls. I liked the cool white look.




This year some abstruse astronomical calculations led to a 3-day Pujo instead of the usual 4 days. Nobomi and Doshomi were both on Wednesday.


Durga Bari in Ballygunge. I used to go there every Pujo till 1987. This was the first time since then.
I felt so OLD.
Also very avuncular and nostalgic at the sight of the milling multitude.
. While the aunties jostle for their shnidoor khela.




All over now.
I never go for the bhashaan
(immersion of the idol). Very depressing, such a finite ending to the annual magic. Instead, I sit near the window and listen to the immersion processions shouting as they pass.

The Bangali equivalent of "Next year in Jerusalem".
A communal promise.
"Aashchhe bochhor abaar hobey"


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The few years that I've been away from Calcutta during Pujo,
I've sought vicarious fulfillment through others' descriptions and images.
Does this effort strike a similar chord?
Comments invited.

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Wednesday, October 12, 2005

 

Pujo moods. (I hope)



It rained on
Panchami afternoon. Any other time of the year I would have revelled in the particular melancholy of the pouring rain, the dripping trees, the caress of the rain-spray.
But on
Panchami I worried about the traffic outside and the pandal getting muddy.
And our booking at Bhojohori Manna.





The long shadows of an autumn evening.
The approach to Singhi Park.



While (below) the last touches to Hindustan Boys'
(yes, OK, this was after a HUGE lunch at Bhojohori. And btw, the restaurant with the perfect music was at the Stadel the next day.)














Evening at Singhi Park, and some music.



Amader para'r Pujo


The crossing of Lake and Lake View;
Shomaj Shebi
and Ballygunge Cultural.
Awaiting the storm.










You think he's reading her the Riot Act about last-minute shopping?






Dead end. At least at this hour of the morning.






Our local celebrity Pujo, morning and night










Somebody tell me this is a great photo. Please.


A blur of kaalchaar. Very Bangali.



The Charlie Brown Pujo incorporates
the Myth of the Great Pumpkin.















After the madding crowd ...


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Pujo'r baddi, pujo'r gaan



A rattle of drumbeats and one drum in orbit round the neck of a dhaaki who does an exuberant twirling leap. Just because he can.

Where have all the dhaakis gone? As little as five years ago, when I came back to Calcutta, I saw a procession of dhaakis the day before Mohaloy, a sort of mobile employment exchange parading before the assembled Pujo Committees. This year the first dhaak I heard was over at Shinghi Park on Panchami morning. And of all things, dhaak as piped music in a restaurant on Shoshthi. (Shoshthi’r diney hoshthi! Is that expression still au courant?)

I love this particular restaurant, not just because three of us polished off eleven, we counted, eleven pieces of ilish (and golda chingri and chhana’r dalna by the bucketful) on the buffet but also because they followed up the dhaak with the double-CD of Kishore Kumar’s Robindroshongeet. Music arranged by Hemonto Mukhopadhyay (known to the rest of India as Hemant Kumar, singer-composer for films like Jaal and Khamoshi), Kishore trained by Subinoy Ghosh, producing one of the best reflections of Bangali tradition that you can hope to come across. For those who sneer at the idea, a reminder – Satyajit Ray didn’t choose anybody from the Dokkhini tradition when he wanted Robindroshongeet in his films. And a challenge – show me one bar, dammit show me one note in one song where the Boss has not been true to the Shworobitaan.

Aamaar raat pohalo sharodo praatey. Aami tomaaey joto shuniyechhilem gaan (I haven’t heard this one recorded by anybody else). Ey din aaji kone ghorey go ... Which was the perfect note on which to exit.

Pujo now is also an unspoken war between the high and the low culture. Where earlier we had Nazia Hassan with Aap jaisa koi and Usha Uthup’s rich black velvet voice in Hari Om hari (an Eurhythmics ..err… ‘cover’), now we have shehnai. And I don’t know about you, but shehnai music all day depresses me from one end of my spine to the other.

What a contrast, really. From the late ’60s to the early ’80s, R.D. Burman road-tested all his tunes in his Bangla Pujo albums. At his best he gave us magic – Asha Bhonsle with Shondhya belaye, Moyna bolo tumi Krishno Radhey, Phool-ey gondho nei. Kishore Kumar’s Pujo releases included Noyono shoroshi keno, Ei je nodi and (a particularly mushy Pujo when I was 14) Aamaar dweep nebhano raatey. Lata Mangeshkar, Manna Dey, R.D. himself, all their voices are woven into my fabric of Pujo memories.

And what do we have today? Mostly barbaric remixes (painting the lily and gilding refined gold, good remixes are so very rare) or pretentious (and sub-standard) shehnai. Sad, because for all the oposhonskriti (‘bad culture’?), the loudspeakers at the Pujo mandaps provided our measure of which songs were hits each year. 1977 to ’81 was a particularly rich period – or do I just remember it better?

Oh well, we also have recorded dhaak tracks. I first heard them that Pujo when I was in exile in the ‘armpit of the United States’ and I’ve been grateful ever since. Baajiye jaao!

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Oyez, oyez!



Good my ladies and gentles, hear ye, hear ye!


Reliable sources inform us that Arnab (a.k.a. GreatBong Bongoshontaan) is in town. This town.
Presumably, so are a few other bloggers from other remote corners.

This is of course a vaindairflll aww-pr-chunaytee. We can brighten their lives by exposing them to civilisation and its pleasures, pleasures unknown in the arid climes of Virginia and Illinois, where the skies are dark with Bushisms and ragged wraiths battle over their last I-Pod Nanos.

So ... Calcutta Bloggers' Meet on Sunday (16th October) afternoon around half four.
Venue: T3, the Flury's thingy on Free School Street at the corner with Park Street,
next to Wonderland, diagonally opposite the original Flury's.


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Tuesday, October 11, 2005

 

Meet it is I set it down ...



IIPM. Planman. Arindam Chaudhuri. Reports of a Goebbelsian PR division. Wow. David versus Goliath again? Remains to be seen.
For those who came in late (like me), Rashmi Bansal posted an article in an e-zine, asking some questions about IIPM's claims. The article stated that few of the claims could be substantiated.

Now I don't hold a brief for either party here. Some points, however, indicate very imaginative techniques on the part of IIPM’s PR Division. Setting up blogs to counter a blog. The Goebellsian technique of the Big Lie (re: the purported Aaj Tak expose). The attempted character assassination (which only made me as envious as Falstaff – I mean, I’ve never yet been engaged in a peccadillo in a private dining-room, let alone a public rest-room). In short, the IIPM team have some innovative management techniques. Score 1 to them.

These techniques, of course, are not ethical. Does IIPM claim to be ethical? I didn’t notice it on their site. Compassionate, perhaps. Ethical, no. Score 2 to them for truth in advertising.

IIPM’s web-site (or is it Arindam Chaudhuri's page?) does have some stuff about ‘survival of the weakest’. Is that in keeping with their attacks upon Rashmi Bansal and Gaurav Sabnis? IIPM, with its ad-spend of Rs. 5 crore in one month, is of course the David here against Rashmi’s Goliath. So the label fits, dunnit? Score 3?

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"My tablets! Meet it is I set it down
That a man may smile and smile ..."
Hamlet, Act I Sc III

I have a confession. Arindam Chaudhuri makes me uneasy. Nothing personal, just that anybody who wears a bright blue suit with a pink tie would make me uneasy in any case. (Sorry, you won’t see this on his site, dis wuz a close encounter uv de turd kind) But then, he’s a ‘management guru’, not a fashionista.

His ponytail makes me uneasy too. This may be subconscious envy, given the dormant state of my own follicles. On the other hand, if you want to ‘go a different road’ and be young and ‘khoo’ and ponytailed, why the suit?

And what really makes me want to puke - chunky rectangular glasses in Blue Plastic Frames. Ye gods and little fish. But then, you can be a management guru even if your dress sense makes other managers queasy. After all, the Entire Look could be part of ‘daring to look beyond’. Or whatever the terribly hip slogan is.

“Professor Chaudhuri did his B.A. with Honours in Economics, Honours Diploma in Industrial Engineering, M.A with Honours in Economics, Post Graduate Diploma in Planning and Management (MBA) and Fellowship of I.I.P.M.

Professor Chaudhuri has been amongst the toppers during his B.A. Economics, M.A. Economics and MBA. He was the recipient of the Academic Gold Medal while completing his Post Graduate Diploma in Planning and Management from IIPM.”

It is evident that Dr. (?) Arindam Chaudhuri, BA, MA, PGDM (or is it MBA), is an Essentially Modest and Objective Person. He only uses those titles or achievements that are independently verifiable. Like ‘management guru’ or ‘visionary’. He is most shy and retiring about the provenance of his various degrees. He is not so crude as to mention his rank in his BA Economics degree; after all, we are all winners here and with the right point of view, the person who is 32nd in a class of 30 can also be “among the toppers”. But what is an ‘Honours Diploma’? And ‘M.A. with Honours’? I may be very ignorant – do we have Pass M.A.s now? I have so much still to learn. (Please note that his MBA is NOT from ‘Haas, UCLA’ …)

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I really have no locus standii to write about Arindam C and IIPM. After all, I’m not a student, a manager, a teacher or a guru. Therefore, if some things strike me as odd, it’s probably due to my insufficient knowledge. For example, the Wi-Fi enabled towers that house the IIPM schools? Why do the pictures on their web-site look like those ‘artist’s impressions’ in architects’ offices? (The 'Campus Tour' link didn't work ... "This page does not exist".) Of course I haven’t 'dared to look beyond' and see the Towers that Will Be.

Or the faculty from all over the world. Harvard, LBS, Insead, you name it, IIPM have poached from them. Obviously an HR operation of this magnitude requires stealth, discretion, security. Which is why the Faculty page on IIPM’s web-site gives minimal information about the faculty. Minimal as in nil. Nix. Zilch. (I believe they have a tie-up with the Federal Witness Protection Program). This of course applies to ALL their eminent faculty from the time IIPM was set up back in 1973. Twenty-two years of considerate secrecy.

One of my best friends is a PhD in Finance from Insead. When I asked him about teaching at IIPM he asked ‘Where?’. Poor ignorant soul. After Lowell, Insead, Harvard, Gothenborg and Monitor Consulting, all he needed to round off his CV was a stint on the faculty at IIPM. Now he doesn’t have a chance, they have such a rush of top brains beating on their doors to get in …

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The proof of the pudding…

Arindam Chaudhuri’s Planman Motion Pictures is the first Indian firm to take up film production with a business model. (No, sorry, YashRaj Films do NOT have a string of hits through professional production methods. In fact, YashRaj Films do NOT have any hits at all. And if they DO have hits, the films were hits by chance. Not that we’re admitting that they HAD hits. OR professional methods. Whereas WE at Planman …)

So Planman has already produced two (2) films since 2003. The first, Shaanjhbati’r Roopkothara (“Strokes and Sikhouettes”) was ‘selected for’ no less than 7 international film festivals. Awards? Well, PMP is too modest to mention them. No, it wasn’t MEANT to make money, you know, sometimes a business approach can have objectives other than mere money?

The other film, of course, was that mega-hit of 2004, Rok sako to rok lo, directed by no less than ... (ta-daaah!) ... Arindam Chaudhuri. You know, the super-duper mega-hit that put Bollywood back on the international scene, garnered several … umm… thousands (INR) in revenues, made international stars of its cast and won 87 Oscars (who says the AMPAAS doesn’t HAVE 87 categories of awards?!). You haven’t heard of it? What, don’t you read the papers? Not the reviews, stoopid – they took at least TWO full-page ads in every newspaper in India, don’t you SEE anything?

Of course, the bottom line was all that mattered to the hard-nosed business model of Planman Motion Pictures, so we haven’t heard of this epochal film. But legends have grown around their profit-sharing with everybody involved in the making of the film. (Another management first, in fact – bubble-gum scratch cards as performance bonus)

So if you’re talking about learning through doing, or teaching by example, Arindam Chaudhuri leads the way.

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No, guys, I don’t work for a hardware company. You’d have to talk to one Dr. Kalam if you want to chase me out of my job, he’s a really decent bloke and I wouldn’t want him to be worried … Besides, unlike Gaurav, I wouldn’t find another job. So have a heart, OK?

How about this …

I would like to assert that this entire post is motivated by my deep admiration for IIPM, Planman and Professor Arindam Chaudhuri (though not for his glasses, ponytail or gentian suits). After all, I wouldn’t want them to burn laptops (presumably with my blog on the screen) in protest against my opinion. (Gaurav Sabnis is so naïve, did he really think they’d burn laptops they’d paid for? I’d love to see that happen!). Furthermore, I quake, I palpitate in fear of the day when I receive a ‘notarised e-mail’. (Threatening me with arrest, no less. What next? The Joo-Joo Man?)

So, in brief, IIPM sucks rocks.

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Update: Gawker sums it up; I laughed till I choked.

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Monday, October 10, 2005

 

Pujo Special - Aagomoni


You don’t realise it unless you wake up early enough. The sudden .. no, not a nip, but a pleasant coolness in the morning air. The change in the quality of the light. Perhaps that’s what woke you up in the first place? And strangely enough, you do start waking up early, about a week before it happens. To revel in .. well, to revel in something.

When it starts, you can’t quite admit it to yourself. Especially if you’re pushing 40 and all mature and respectable and too old to sing on the balcony. I feel like singing Robindro shongeet (Shumon Chattopadhyay, SHUT UP already about ‘Robindronather gaan’. It always has been and always will be Robindro shongeet) I know which one, too – Ey din aaji kone ghorey go khuley dilo dwaar. Not in the affected min-miney pursed-lips Dokkhinee style but the way Kishore Kumar sang it in 1982, full-throated, a chest full of song.

Because the sunlight is suddenly sharper and more mellow all at the same time, the morning air smells different, and is that .. yes that IS a stray banner of kaash phool in the corner of the park.

Kaash phool. I saw so much of it, growing up in Salt Lake in a time before the houses grew together like fungii. Somehow I didn’t associate it with Pujo then, because it appeared in the last months of the monsoon, before the rains cleared and the air smelt like crisp new cotton. Now we have to drive ten miles to see kaash phool. No, wait, there are waving expanses along the Rajarhat expressway, silver-tipped where the setting sun sparks off them. (That exhilarating sight is the only good thing about catching a 5 p.m. flight).

There was a sea of kaash phool around the 40-acre field in the Sainik School in P*. Lovely in the morning when the late sun slanted through the morning mist, the beauty heightened by the clean feeling at the end of a good run in fresh air. That is not really a Pujo memory, but all memories of cool air and crisp weather seem to be linked to Pujo because it signals the start of the travel season for Bangalis. I remember we were in Shimultola just after Pujo one year“Aaji joto tara tobo aakaashey”, the first time I saw constellations spread out three layers deep.

And of course, the last of the kaash phool in the low sun of November.

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What IS it about Durga Pujo?

Digression – Puj-OH. ‘Puj-AH’ (or Puj-AHS’) is only used when we are all so propah and anglicized and taking a letter to our class-teacher asking for some extra leave because we have to rush to the bedside of an aged relative who may not be long for this world and tickets are just not available till the day after Doshomi .. And SHE knows and WE know that this is so much bumph, we’re all off to Rajasthan for Pujo’r chhuti, but we shall be civilized and dissimulate and ooh and aah and get it counter-signed by the Vice-Principal and if it's nice Mrs. D’ Souza, she will wait till January and then ask how our great-aunt is. With a smile hovering somewhere behind her misleading hatchet-face.

‘Puj-AH’ is also used when we have become terribly smart career people in suit and phitey deowa juto (as distinct from kaabli choppol) and must make small talk about how terribly primitive it is to have so many days off from work, when will we ever develop a work ethic, it’s so professional in our head office in Boston yadda yadda yadda. Can it, McDuff, try to swing a deal in Noo Yawk on 27th December before you give us all this first world shit!

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On-off, sing-song, loud over the radio at 4 in the morning, “Joshong dehi, dhanang dehi” and the theatrical intonation of Birendra Krishna Bhadro. Unique, inimitable, the voice of Pujo, Durga’s herald long after he died in his 80s. All the years past curled up in the corners of the room as I snuggle back into bed and listen to the Mohaloy programme through a pleasant haze. Mohaloy. Pujo. Durga Pujo. Pujo eshe gechhe!

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Bassackwards



Swami Prajnananda on the sanitary habits of Indians ...


"They will jealously guard the privacy of their meals but have no compunctions about voiding their bowels in public view."

True enough. I daresay a lot of my country-men (and women) would be more blase if they were espied squatting behind a thorn-bush, than if they were caught sharing a thaali with a mlechcha.

It's not always about the availability of sanitation or running water, either. We've had this campaign for rural sanitation (instantly re-named the
Potty Prokolpo) and I've seen newly-built sanitary privies used to house goats or store cowdung cakes.

One of our proselytising arguments was that sanitary privies also safeguard the modesty of the women of the household. Big deal. The women in question love their morning excursion, it's when they catch up with all the news, it's the big social occasion most days.
The men, who take over the hedgerows and fields once the women return, have much the same attitude. In rural Bengal (and indeed most of rural India) when you "say can you see by the dawn's early light", it's likely to be about Brojen Boiragi and Mehboob Miyaan chewing their neem daantoons and discussing harvesting strategies while they, um, multi-task.

The West has a long way to go before they can catch up on this, though I read somewhere that Lyndon Johnson used to de-brief (intended) his Secretary of State while he (LBJ) was enthroned.

And a priceless story that I couldn't use as part of our 'modesty' argument.
Noted Bangali litterateur had imbibed all night with his good friend who was at the time District Officer in the
laal maati (red earth) belt. In the wee hours of the dawn, Writer informs Bureaucrat that he has this urge that cannot be denied. He MUST go see 'Gurudeb'. (For Bangalis, 'Gurudeb' = Robindronath Thakur. Though in my youth, Uttam Kumar's appearance on screen would also be greeted with ecstatic shouts of 'Guruuuuuu! Eshe gechhe'. But as usual, I digress ...)

So bureaucrat and bhodrolok were slumped in the back seat of a white Ambassador speeding towards Shantiniketan in the dark before dawn, when our man cocked a bleary eye over the window edge and saw the dim shapes of the morning gazette (first shift) in action. His defining comment was ... "For shame! THIS is how they waste their lovely backsides?"

I never claimed to be politically correct.

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Supply chain for surplus clothing



With yet another tantrum from Mother Nature, please do contact Goonj. They prove that when you take into account the dignity of the individual, you also increase efficiency in tackling human tragedy.



 

Oh, all right, I'll do it



Tagged by member of Kochi Shongshod, so 5th line of 23rd post ...

"The Byzantine generals who in 493 fought against the Isaurians were Apsikal, a Goth, and Sigizan and Zolban, commanders of the Hun auxiliaries."
Bet you choke on it.


Thanks to a friend of immeasurable gravitas for this link. Love it. (Though it doesn't address the question of the Spaghetti Version of the Eucharist)

Tuesday, October 04, 2005

 

The morning after the night before



J&B on Saturday night led to a certain malaise on Sunday. Which in turn reminded me of somebody else's story. Cheered me up no end to think that there are others who fare much worse than trying to do a two-step at two in the morning.

Like so ...

Text message, 12:43 a.m.

“If I haven’t told you this already, I love you … I love the weird part of my life that you’ve become … and I miss you when I don’t hear from you … and this is probably the most vocal that I’ve been in a long time so … yaaayyy for gin!”

e-mail, 10:07 a.m.

Horrified.

Because of what we read in this ugly little thing on our phone, called The Sent Folder (DAMN YOU technology!!). All ten of our toes curled when we read what we had written (WHERE were you, DAMNED DIGITS, when we were TYPING that message?!) so yes, we're assuming the same happened at your end. Perfectly justified.


What we're ATTEMPTING (unsuccessfully, so far) to do, is apologise most profusely.
Henceforth:
1. We shall NOT, under ANY conditions, mix alcohol with medication.
2. If, despite following the above commandment, we DO, even START feeling REMOTELY tipsy, we shall DEMAND that any devices of communication be taken away from us IMMEDIATELY.

We're sorry.
Honest, truly.

But we're hoping like hell you know that we didn't *mean* any of that.

We DO miss you when we don't hear from you but we did NOT mean it to sound so asinine and (eeuuuww!) lovelorn (DAMN YOU, endless gin and medication!!).

We are NOT psycho stalkers. PLEASE ignore the evidence.

Extremely Embarrassed,

Us.

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Heh! Given a choice, I'm fine with the hangover. (And no, I didn't get this story off eM - reads like her style though, dunnit?)

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NOTICE - of sorts, in the current post on my other blog. Grateful for help from kind souls.

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Monday, October 03, 2005

 

Corrigendum, not apologia

OK, I goofed.

I felt bad for an honest tryer, tried to write about the feeling and produced something that didn’t make much sense. It was bad communication. But it did provoke some responses. Nobody called me an arrogant son-of-a-bitch, but the sub-text was clear. Where do you get off, you self-important bucket of industrial waste, implying that you are actually superior to others?

Owwww. Damn. That wasn’t what that was about.

It was about the feeling of watching somebody walk down the corridor with their undies showing and people sniggering about it. No wait, after Shefali Zariwala and Saif Ali Khan, that’s not a good example. Try again.

The feeling when some quiet kid says she’s going to try for the CAT and you know she’s hard-working, she’s a good kid but her chances of making it are practically non-existent. And you know that she’s going to try for it again and again until the disappointment shatters her confidence and she’s wasted three years of her life trying. And that shit about “at least she gave it a try” is all very well for authors of self-help books who grew up reading Jonathan Livingston Seagull, but it’s not going to make her rich or successful or happy, let alone give her back her three years.

Now – and here’s where the good doctor might listen up - she could have perfect pitch, she might be incredibly well co-ordinated physically, she might be a wizard with gizmos. But she can’t crack the CAT. The question is, why the dickens does she keep trying to crack the CAT when she could be excelling somewhere else? It doesn’t make sense to me. And I feel bad for her, because there are people who will dismiss her or categorise her as ‘that girl who keeps trying that exam every year’.

I know that there are things I just can’t do, things that I’m no good at. So her failure finds a resonance in my fear of my own failure. And I cringe for her.

I know that it’s not my place to tell her what’s wrong with her, I know I’ll never do it. Yet I look back, maybe I look inside, and think of all the times when I wanted somebody to tell me what I was doing wrong, but never had the guts to ask because I was afraid of ridicule. (Thanks, Quizman). So many contradictions. Simplest to just STFU. And look away.

So what I was trying to communicate was, how bad do you feel when you come across these honest failures, people who go on trying despite being really bad at what they’re trying for? How far do you empathise with them? Do you have a sudden insight of the Robert Burns kind, you know, “Wad some gift the giftie gi’ed us ..”? And is that empathy strong enough to make you physically wince, or shake your head and bury yourself in something else for a while?

Does it lead you to dig out the up-side of the downbeat, yet feel a twinge of shame for your own condition?

Tell me.

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Addenda

Ummm … this may be stupid, but after reading the comments, I want to say some things up front.

Why must people automatically assume that I regard them as inferior? I’m far more likely to think that any one of you is superior to me. Truly.

I have not passed any judgement on any particular blog.

I am not so insensitive or so egoistic as to tell anybody that his or her blog is bad. I haven’t done that.

And hey, I didn’t say anything about grammar in the previous post. Where did that come from?

Finally, why the f*** are any of you taking me seriously? I don’t take myself seriously, dammit.

Here endeth

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